"Ricky Fitzpatrick's latest CD "Heartfelt" is a mixture of Fitzpatrick favorites along with new songs written by the Commerce-based crooner. Fitzpatrick, skilled in the art of the acoustic Americana-genre, is sitting right on the edge of hit song status with songs like "Mine" and "Emma's Song."
Since the first time I heard "Mine" as a live version from Eddie's Attic, I was in love with the track. "Mine" doesn't get old even after 100 plays on the web. "Your hand in my hand, lips on my lips ... tell me the truth, tell me a lie. I don't mind, as long as your mine," are powerful lyrics for such an easy listen.
"Emma's Song," written for Fitzpatrick's (step)daughter, is a beautiful song that flows naturally from the guitar and the artist – almost reminiscent of an old West tune."
Ashley Bates, Features writer for The Times (Gainesville, GA) (Aug 21, 2009)
At first sound you think "James Taylor", but his lyrics are much more complicated than almost any Taylor song I've heard. Fitzpatrick is, to me, the rare songwriter that can make you feel like you're right there with him when you're listening to his songs.
The GA Jukebox (Jan 15, 2009)
The first American folk singer/song I have liked (that's no small thing - it's not a genre to which I would usually listen) This songs doesn't fall short in any way. In a word, grand. Recommended to anyone who doesn't usually like this sort of thing (I'm converted, at least).
We7 (review of Green in LA) (Jan 15, 2009)
For decades, lovers of song have been pining away, looking for signs of a new messiah who would follow in the hallowed footsteps of singer-songwriter deities like James Taylor, Bob Dylan, Jim Croce, John Denver. Let the joyous news be heard, brothers and sisters. Rejoice! All true believers in the songwriter second-coming, bear witness. For in Ricky Fitzpatrick, the torch has been unequivocally passed.
Gods of Music (Jan 15, 2009)
Barbara Cloyd of the Bluebird Cafe' recently offered some kind (and insightful) reviews of 3 of Ricky's songs..."Mississippi Moonshine", "Forever & A Day" and "Ballad of Billy the Kid". Thank you, Barbara, for your wisdom and comments! Here they are...abbreviated:
MISSISSIPPI MOONSHINE: This is a really sensual song and it just felt really good to listen to. It's a great melody and I especially like how the chorus soars and stands out from the verse melody. I also love all the internal rhymes in the chorus and I also enjoy the unpredictable way you use "moonshine."
FOREVER & A DAY: The sad truth is it's really hard to get sentimental ballads like this cut. Music Row always seems to be looking for stuff that's edgy. But the good news is, that when songs like this do get cut they are usually huge hits and the public eats them up.
My favorite thing about this song is the second verse. There is a wisdom and maturity in the idea of love being a choice that is fresh and different. loved the opening line of the song. I like the guy admitting that he's foolish.
BALLAD OF BILLY THE KID: This was actually my favorite of the three songs. A song where the singer is portraying an historical character is more likely to be found in the Folk and Americana genres.
The phrasing and the internal rhymes and the way that the words fit into the melody all came together beautifully. There was a lot of intelligence and insight in the lyric and it was fresh and different.
If you can write a song like this so well, I have no doubt you can eventually write one that could be a big hit in the Country market.
Barbara Cloyd - The Bluebird Cafe' (Oct 3, 2007)
"The song (Ballad of Billy the Kid) has a lot of heart and fits nicely, with a different spin, into the ballads of the old west and cowboy songs...could go side by side with Dylan's epic Billy the Kid tracks."
Jason Chandler - BTK Aficionado (Aug 8, 2006)
I am really struck by how much you sound like James Taylor. You use squeeze some of the notes in exactly the same way, and even a few of the bass / harmonic slides come from his repertoire. Of course James Taylor is one of the best singers out there so the fact that you can do this is crazy good… you're a real talent… an obvious talent.
Jay Brieler of Never Go Back - The Muse's Muse Music & Lyric Critiques (Jun 27, 2006)